Even today, so many years after this was captured to tape, it’s still startling, and still brings to question any ideas you might have about what could be considered “jazz.” Yes, American fire music players had broken countless barriers earlier in the 1960s, but nobody had ever really sounded like this before. Machine Gun opens with a deafening blast of pure sound, a pummeling broadside of Brotzmann, Evan Parker, and Willem Breuker’s saxophones. Peter Brotzmann’s second release as a leader, this was the album that firmly established his voice as a performer and an improviser, defined what would become the FMP aesthetic, and truly distinguished European free-music from its American counterpart. It’s still just as shocking and powerful a record as ever, a stunning and bewildering listen from beginning to end. ![]() ![]() One of the most important albums of European free jazz !!!
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